the expo servers
Desire Paths
Installation view Installation view Installation view Installation view Installation view Installation view Annabel Quick, ‘Sublimate: to reshape an instinct into culture / to transform from solid to gas, whilst never becoming liquid / Voebe de Gruyter, untitled Voebe de Gruyter, untitled Voebe de Gruyter, untitled Voebe de Gruyter, untitled Annabel Quick, ‘Sublimate: to reshape an instinct into culture / to transform from solid to gas, whilst never becoming liquid’ Annabel Quick, ‘Sublimate: to reshape an instinct into culture / to transform from solid to gas, whilst never becoming liquid’ Baroeg Mulder, ‘Plunge’ Baroeg Mulder, ‘Plunge’ Jan-Dirk Adams, ‘Under feathers’ / ‘Kindling for the fire’ Iiris Riihimäki, ‘Unplug Inn’ Iiris Riihimäki, ‘Unplug Inn’ Please RSVP
Photography: Hannah Schleifer and Baroeg Mulder
Desire Paths
4 - 14 December 2025
“Drawing is like running. You fasten your shoelaces, a thin chip falls off from the plastic-covered end of the cotton piece. A piece similar to it is a chip from a pencil you unconsciously bite.’’ *
In Desire Paths, we relate ways of navigating one’s surroundings to drawing practices. There is a similarity between the two in their curiosity, immediacy and pace. This exhibition points out ways in which drawing can be used to navigate surroundings, and how navigating these surroundings can be used to draw.
Participating artists:
Jan–Dirk Adams
Iiris Riihimäki
Voebe de Gruyter
Baroeg Mulder
Annabel Quick
*Excerpt from exhibition text by Heidi Holmström
Opening photos by Lyy Raitala
Documentation by Hannah Schleifer and Enrico Carpi
Supported by Stroom Den Haag
Opening night
Opening night
Opening night
Opening night
Exhibition poster
Please RSVP
16 - 22 May 2025
A group exhibition about pleonasms—the curious, the attendant, the superfluous act of repetition that sneaks into language and meaning. In a world fueled by efficiency, pleonasms represent something that doesn’t quite fit the system with their excessiveness, but they reveal something essential; a desire to reinforce, to underline, to return to the point of departure again.
“End result.” Redundant or unnecessary? Yes. But also kind of revealing.
Participating artists:
Pedro Gossler
Juliette Hengst
Anna Rogneby
Ferdinand Waas
Frans van Hoek
Ignacy Radtke
Luca Mosbech Fedele
Baroeg Mulder
Hannah Schleifer
Heidi Holmström
Lyy Raitala
*Curated by Baroeg Mulder, Hannah Schleifer, Heidi Holmström and Lyy Raitala
Photography: Hannah Schleifer and Baroeg Mulder
Anna Rogneby ‘Untitled’, Baroeg Mulder ‘It folds until it breaks, it mirrors until it is whole’
Baroeg Mulder ‘It folds until it breaks, it mirrors until it is whole’
Baroeg Mulder ‘It folds until it breaks, it mirrors until it is whole’
'Please RSVP’ exhibition view
Ferdinand Waas ‘An Apple a day, the border is still there’
Ferdinand Waas ‘An Apple a day, the border is still there’
Luca Mosbech Fedele ‘Imagine potatoes, sausages, tomatoes, cabbage heads, carrots, onions, lettuce, chilis, and cucumbers.’
Luca Mosbech Fedele ‘Imagine potatoes, sausages, tomatoes, cabbage heads, carrots, onions, lettuce, chilis, and cucumbers.’
Lyy Raitala ‘Efficiencies’, Luca Mosbech Fedele ‘Imagine potatoes, sausages, tomatoes, cabbage heads, carrots, onions, lettuce, chilis, and cucumbers.’
Lyy Raitala ‘Efficiencies’, Juliette Hengst ‘In the styx (dog)’
Lyy Raitala ‘Efficiencies’
Frans van Hoek ‘Afterlife Lobby’
'Please RSVP’ exhibition view
Pedro Gossler ‘That summer when Criss Angel levitated on cable TV left a deep impression on me’
Ignacy Radtke ‘Untitled 4’
Anna Rogneby ‘Untitled’, Hannah Schleifer ‘If two are ... and one is not, then it is not a ‘set’.’
Hannah Schleifer ‘If two are ... and one is not, then it is not a ‘set’.’
'Please RSVP’ exhibition view
Heidi Holmström ‘9 to 5 Corporate Sunset’
Ignacy Radtke ‘ISO 838’
Opening night
Opening night
Opening night
Opening night
Opening night
Opening night
Opening night
Exhibition poster (design: Hannah Schleifer)