_full_pivot_______________29/5/2026_until_7/6/2026___

Full Pivot takes the panorama, and the impossibility embedded in its definition, as a starting point. A vantage point, if you will. Derived from the Greek pan (“all”) and horama (“view”), the term suggests a totalising, complete perspective. In the exhibition, we consider the fractured nature of vision, directed and conditioned by physical and social frameworks. Rather than offering a unified perspective, the exhibition reflects discontinuity, limitation, and shifting viewpoints.

Participating artists:
Ferdinand Waas
Tatu Gustafsson
Eeva Juuti
Leevi Toija & Jonne Väisänen
Ilya Lindhout
Iivari Mikkonen
Heidi Holmström
Lyy Raitala
Enrico Carpi
Baroeg Mulder
Martin Gobert
Hannah Schleifer

Facilitated by:
Yoonsik Kim
Ossi Pettilä

Location:
Paasivuorenkatu 2a, 00530 Helsinki

_partial_coverage_______________17/4/2026_until_19/4/2026___


Solo exhibition by Baroeg Mulder

In Partial Coverage, Baroeg Mulder makes a choreographic attempt to capture presence, and we are both witnessing and participating in it. The interchange amongst strangers, or people you know, becomes a readable act. Using broadcasting tools to fragment the surrounding spaces, Partial Coverage builds a rotating narrative that the viewer steps into for a moment.

The sound presented alongside the video in the installation was composed live by Floyd Verbruggen and Maudi Gaillard.

Opening photos by Hannah Schleifer
Documentation by Baroeg Mulder
Supported by Stroom Den Haag 

_the_coldest_day_of_the_year_______________5/2/2026_until_11/2/2026___

“I woke up this morning to a softly humming silence. 
I woke up this morning to a soft hum of silence.
A low sound, lower than usual. A slow frequency. It must have been the temperature dropping, Frost came to the house last night and slowed everything down. That is what happens when it gets cold; everything goes slower. Even the birds stopped singing for the occasion. Or maybe they still sing but it is too cold for their song to reach my room – sound travels slower in cold air, you know. The glass of water next to the bed was cold as well and I took a sip. It felt like swallowing an ice cube.“*

Participating artists: 
Enrico Carpi
Lyy Raitala
Erika Peucelle
Ariana Toussaint
Jacob Wallett

*Excerpt from exhibition text by Baroeg Mulder

Opening photos by Baroeg Mulder
Documentation by Enrico Carpi
Supported by Stroom Den Haag 

_snuG_______________7,8/12/2025_and_24/1/2026___

snuG makes use of improvisational methods, text, as well as choreographic sequencing to portray a fractured sense of reality, one that responds to the space where it was developed; a 12-floor server facility, frozen in time. 
Loosely inspired by Anne Carson's Lots of Guns (2005), we see and feel three characters shaped by strict composure, succumbing to form, being physically pulled across timelines. They use forgetting as a tool to reconfigure their bodies and minds, and attempt to arrive by means of reversal, ricocheting backwards through space.

Choreographed and directed by Zenon Zubyk
Performed by Thalia Crymble, Sophie Whittome and Omani Ormskirk
Sound by Michał Dąbrowski
Light by Rodrigo Ribeiro
BTS, rehearsal and image documentation by Tim Ross
Trailer Documentation by Hannes Drißner 
Invite Design by Manon Fraser
Photos by Tim Ross & Hannes Drißner

snuG was facilitated by The Servers

_under_her_tall_white_hat:_ringelpress_booklaunch_______________5/12/2025___

Booklaunch of ‘Under her tall, white hat’ by Oline Nordengaard, published by Ringelpress.

The launch took place in an old industrial kitchen that has been out of use for over 10 years. There was a display of the books, a small exhibtion of archive material that was not used in the sequence of the book, and a tapas menu.

All photos by Jón Helgi Pálmason.

Find more info here: www.ringelpress.com

_desire_paths_______________4/12/2025_until_14/12/2025___

“Drawing is like running. You fasten your shoelaces, a thin chip falls off from the plastic-covered end of the cotton piece. A piece similar to it is a chip from a pencil you unconsciously bite.’’ *

In Desire Paths, we relate ways of navigating one’s surroundings to drawing practices. There is a similarity between the two in their curiosity, immediacy and pace. This exhibition points out ways in which drawing can be used to navigate surroundings, and how navigating these surroundings can be used to draw. 

Participating artists: 
Jan–Dirk Adams
Iiris Riihimäki
Voebe de Gruyter
Baroeg Mulder
Annabel Quick

*Excerpt from exhibition text by Heidi Holmström

Opening photos by Lyy Raitala
Documentation by Hannah Schleifer and Enrico Carpi
Supported by Stroom Den Haag 

_short_long_live______________10,11/2025____

Short/Long/Live is a film program selected by Ferdinand Waas and Baroeg Mulder. Split into three separate screenings, the program traces different ways of ‘watching’ and what these habits reveal about the visual culture we live in. Gathering the tendencies and extremes of moving image, Short/Long/Live repositions different modes of viewing within a collective setting.

Starting with micro-dramas shaped by TikTok-culture, followed by a long-form endurance viewing and the immediacy of live streams, the screenings span an evolving field of attention. Some of these forms are just emerging, others persist on the margins, yet all anticipate how moving image will continue to structure our time, emotions, and perception.

The screenings function as a survey of formats rather than a single narrative. Together they expose the contrasts that define our contemporary spectatorship where stimulation, distraction, and numbness coexist and reflect a moment in which the act of watching becomes both subject and symptom.

Program:

29/10    Short: ‘Queen Mom Rules’ (2025) and other vertical short films (120’)

12 /11    Long: ‘15 hours’ (2017, Wang Bing, 950’)

26/11    Live: ‘A frame to a second is an hour to a day’ (2025, 60’)

_end_of_summer_flea_market_______________20/9/2025____

A big end-of-summer flea market hosted by The Servers. Buns, drinks, clothes, tools, whatever else you might think of.

_biquet_studio_website_launch_____________21,22/6/2025

This event marked the launch of Biquet Studio’s new website and online shop. For the occasion of the launch, Martin Gobert (Biquet Studio founder) produced a collection of 4 new T-shirt designs which were exhibited and sold at the event. 

Website/graphic identity: Lucy Gengler
Metal structure: Matej Filipič
Photography: Martin Gobert

Find out more about Biquet Studio: https://biquet-studio.com

_please_RSVP_______________16/5/2025_until_22/5/2025___

A group exhibition about pleonasms—the curious, the attendant, the superfluous act of repetition that sneaks into language and meaning. In a world fueled by efficiency, pleonasms represent something that doesn’t quite fit the system with their excessiveness, but they reveal something essential; a desire to reinforce, to underline, to return to the point of departure again. 
“End result.” Redundant or unnecessary? Yes. But also kind of revealing. 

Participating artists: 
Pedro Gossler
Juliette Hengst
Anna Rogneby
Ferdinand Waas
Frans van Hoek
Ignacy Radtke
Luca Mosbech Fedele
Baroeg Mulder
Hannah Schleifer
Heidi Holmström 
Lyy Raitala

*Curated by Baroeg Mulder, Hannah Schleifer, Heidi Holmström and Lyy Raitala

Documentation by Hannah Schleifer and Baroeg Mulder

_filmservers_season_1____________11,12/2024____

A program of screenings on four consecutive Thursdays in November and December 2024. The program was selected by Eddy Rakovic and Constantijn van der Meulen.
The screenings were organised by Eddy Rakovic, Constantijn van der Meulen and Baroeg Mulder.

Program:

28/11     The Emperor’s Naked Army     Marches On (1987, Kazuo Hara, 122’)
5/12    Sleep Has Her House (2017, Scott Barley, 90’)
12/12    Introduction to the End of an Argument (1990, Jayce Salloum & Elia Suleiman, 40’) & It May Be That Beauty Has Strengthened Our Resolve - Masao Adachi (2011, Philippe Grandrieux, 73”)
19/12    The World (2004, Jia Zhangke, 144’)